Australia has just had it’s very first Catholic saint named by the Holy See of the Vatican, a 19th century nun named Mary MacKillop.
There’s been much coverage of this in the media and in society; pictures of Mary MacKillop were projected onto the pylons of the famous Sydney Harbour Bridge in celebration and a number of Australian Catholics went to the Vatican for the big announcement. There’s also been some criticism and scorn of the event, but what’s interested me is the way many otherwise unreligious Australians have been enthusiastic about the news. Most Australians might not be Catholic, and many may even be quite sceptical of religion, but they love that an Aussie girl has finally been canonised. As the media reports say, upon the Pope’s announcement, there were cheers of “Aussie Aussie! Oi Oi Oi!” from the crowd.
In Australia (like elsewhere), we’ve had a few rounds of the Burqa Ban Debate, and no doubt it will come up again. Often, it’s discussed under a “It’s Un-Australian!” banner. The “They’re trying to import their ways onto us with their funny, confronting clothing” line.
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Artist Mars Drum then painted a series of interesting and compelling canvases, juxtaposing Ned Kelly and a Muslim woman in niqab, challenging the audience to again ask themselves: who is the Australian hero? And who is the Australian terror?
I think these were very clever. So often, the artist can speak a truth to its society more clearly and unflinchingly with one image than a thousand politicians or public speakers.
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